Thursday, April 21, 2016
Victoria Wood
I always do this, don't I? Say I'm taking a break and then pop up on Thursday with something I just have to tell you?
I can't let the week pass without saying how hugely sad I am that the funniest woman I've come across has died.
Victoria Wood was a brilliant writer, composer, musician, actor and comedian. I have loved her work since she burst onto the telly in the 1980s. But I'm not going to do what they do on telly when they have a "tribute to" programme and have a lot of talking heads say why they liked someone's work. The work speaks for itself. I'm just going to give you some links to three of my favourite sketches. But there are so many more. No blog post is long enough.
VW's take on Brief Encounter here.
VW's cafe conversation here.
VW's shoeshop encounter here.
Having said that, the best appreciation of Victoria Wood I have come across is here.
Monday, April 18, 2016
"The sun rises in spite of everything"
I hope you're enjoying the spring, and those of you in the southern hemisphere, the autumn.
Here's a photo I took last week on a bike ride - fresh green leaves on a hawthorn, up on Longstone Edge:
April is the cruellest month, breeding
Lilacs out of the dead land, mixing
Memory and desire, stirring
Dull roots with spring rain.
T S Eliot
Saturday, April 16, 2016
Wednesday, April 13, 2016
In the eye of the beholder
This is a rather more up to date photo of Jen and me. It's actually 7 years old, but it's the only one for which I have clearance from Jen to use.
When I first got a copy, I emailed the photo to Isaac (son) and Wendy (daughter-in-law) in the US and they responded thus…
Wendy: Look at you two babes! Hot mamas on the road, watch out!
Isaac: Lovely picture. You look a lot like gran!
I think it’s clear why I am so fond of my daughter-in-law.
Tuesday, April 12, 2016
Sibling rivalry
I had a wonderfully entertaining and cheering hour-long phone conversation with my little sister yesterday, in which critiques of The Archers and Neighbours played only a part. There were a lot of laughs, and various bits of personal stuff. The things I can divulge are... we both think the present Tony Archer is even wetter than the one they had before, and we agree that Kyle should not have flown off to Germany with Georgia, and why on earth did he take the dog?
Back to basics.
The chat started something like this:
JEN: Hello. How are you?
ME: I'm OK. I'm trying to be a stoic like you and Ma.
JEN: What have you got to be stoical about?
ME: I'm OK. I'm fine. Tell me how you are.
JEN: I can't complain.
Me and Jen
She and me and Pete and Kath are going up to stay in Wensleydale soon. Jonty lives there and we'll see him, too. I am so excited! Five go camping! Well, OK, five stay in a holiday cottage which is a converted barn on the farm where our grandfather, great grandfather and great great grandfather lived. Cool, or what?
Friday, April 08, 2016
Holiday week
I did something I don't usually do on Tuesday. I sat on a squishy leather sofa in a country hotel and had a cuppa and a chat with my writer friend, Chrissie. We never usually meet in the morning, because that's when we write. I 'd just been telling her that I was having a week off from writing, a holiday at home, when the barman came to take our cups away and asked what we were going to do now, and I said without thinking "I'm going back to work." Just like that. It slipped out. I think it's because it's so firmly fixed in my mind that the mornings are for writing.
I'm having a week off because I've been working hard since the end of January on the sitcom, even drafting one episode in Colorado on snowy days when the girls were at school. I've got five episodes under my belt. Then last weekend I was a tangle of anxiety.
I had episode 1 of the sitcom all lined up, ready to submit to the BBC (closing date for submissions 5 p.m. on Monday). I also had the required paragraph about my writing and synopses for episodes 2-6 of Series 1. That's what I understood from the website was required. But then when I logged on, and reached the submission screen, I was asked for a logline. You remember the logline? I hadn't got one!
The logline is one or two sentences that say what the sitcom is about. I logged off and spent the next 24 hours working out my logline. Then I started worrying about how it works if you submit a blind copy of your script (as asked for) with no name or identifiers on it. If they decided they liked what you'd sent, how would they know it was yours? Monday morning, I sent it off anyway. I was a heap of jelly by that time - a result of hard, concentrated work, mild depression, and terror that this was my last chance. My very last chance. What if nothing came of it? What if the person who read my script was the kind of person who likes Mrs Brown's Boys, and not Hancock, As Time Goes By and Blackadder Goes Forth.
Since then I've been:
getting up late in the mornings because I've been gripped by a book about brain surgery called Do No Harm
knitting a cardigan for a great niece
belting out Nights in White Satin on my sax
and trying to make it to the top of Longstone Edge without getting off my bike. I cycle up a quiet lane on which the only living things I meet are highland cattle, which so far have not minded when I've sidled past them to get across the cattle grid. I took my camera yesterday but they weren't there, so here's a pic of Liz's - imagine them standing, barring my way, and without the mist:
I had to walk the last fifty yards of the hill. Next time maybe I'll make it. If not, I'll keep trying, if only for the endorphins.
And next week I'll write episode 6.
I'm having a week off because I've been working hard since the end of January on the sitcom, even drafting one episode in Colorado on snowy days when the girls were at school. I've got five episodes under my belt. Then last weekend I was a tangle of anxiety.
I had episode 1 of the sitcom all lined up, ready to submit to the BBC (closing date for submissions 5 p.m. on Monday). I also had the required paragraph about my writing and synopses for episodes 2-6 of Series 1. That's what I understood from the website was required. But then when I logged on, and reached the submission screen, I was asked for a logline. You remember the logline? I hadn't got one!
The logline is one or two sentences that say what the sitcom is about. I logged off and spent the next 24 hours working out my logline. Then I started worrying about how it works if you submit a blind copy of your script (as asked for) with no name or identifiers on it. If they decided they liked what you'd sent, how would they know it was yours? Monday morning, I sent it off anyway. I was a heap of jelly by that time - a result of hard, concentrated work, mild depression, and terror that this was my last chance. My very last chance. What if nothing came of it? What if the person who read my script was the kind of person who likes Mrs Brown's Boys, and not Hancock, As Time Goes By and Blackadder Goes Forth.
Since then I've been:
getting up late in the mornings because I've been gripped by a book about brain surgery called Do No Harm
knitting a cardigan for a great niece
belting out Nights in White Satin on my sax
and trying to make it to the top of Longstone Edge without getting off my bike. I cycle up a quiet lane on which the only living things I meet are highland cattle, which so far have not minded when I've sidled past them to get across the cattle grid. I took my camera yesterday but they weren't there, so here's a pic of Liz's - imagine them standing, barring my way, and without the mist:
I had to walk the last fifty yards of the hill. Next time maybe I'll make it. If not, I'll keep trying, if only for the endorphins.
And next week I'll write episode 6.
Tuesday, April 05, 2016
Optimist meets pessimist - not many dead
This piece I found in my archives may amuse you. (Regular readers will notice how my voice has changed since I wrote it.)
An optimist and a pessimist have nothing to discuss, or else they
have too much – assuming that they recognise each other.
When Dave and I met at university, oh so long ago, there were
some warning signs but we didn’t read them right. If the dyed-in-the-wool
optimist and the dead-in-the-water pessimist had known the truth, we might have
taken flight. We might have missed the years of temperamental challenge that
have proved so stimulating and so fruitful.
I do remember noticing the poster on his bedsit wall, with the quote
from Heine -
Gut is der Schlaf, der Tod
ist besser,
Das Beste wäre nie geboren
sein.
But when he
translated it – Sleep is good, death is
better, The best of all would be never to have been born – it didn’t occur
to me that anyone could actually agree
with such a gloomy sentiment. I assumed it was an existential student pose, and
as I had liked him at first handshake I decided to ignore this affectation. And
when he quoted from his classics lecturer “There is nothing so invigorating as
a hearty dose of pessimism,” I thought it was a joke.
No doubt he had his reasons for ignoring my Pollyanna views, that he
considered “charming but unfeasible.” After all, he was an eighteen year old
male, with rather more basic pre-occupations than the colour of a girl’s
philosophy: perhaps he wanted to test my belief that “You can achieve anything
if you just set your mind to it.”
Since then a lot of life has happened, but nothing to change our
different points of view. My optimism did take a severe beating when we lost
all the contents of our family home in a fire. I saw the world, temporarily,
through his eyes and we
clung to the same piece of wreckage. But somehow my optimism bounced back, dented
but still roundish and pink and bobbing on the choppy waters of life. I learned
to entertain the possibility of unhappy endings; it’s just that deep in my
heart I do still hope for happy ones.
After the fire there came the second blow of breast cancer. When we
heard the diagnosis, he asked me solicitously how I felt, and was incredulous
that I was just “a bit fed up.”
“A bit fed up ? A bit fed up is when you have too much homework or
your soufflé sinks.”
But that’s all I was. After all, my mother had had a mastectomy
sixteen years before and she was still fighting fit. Why shouldn’t I do the
same ? It never crossed my mind that I might die. And anyway, I knew that
Eeyore would be there, supporting me through it all, even as he was ‘secretly’
thinking that the diagnosis was my death warrant. But I did understand his
fears, because his mother had died
from breast cancer.
Twenty years later I am still here to torment him. I add my survival to
the list of other happy outcomes that I use to challenge his morbid point of
view.
So we jog along – him appalled at my high expectations, me creased
up at the blackness of his outlook.
“Do you want to write to someone on Death Row?” I asked him, after
seeing an advert in The Big Issue.
“We’re all on Death Row. It’s just that some of us aren’t in cages,”
he said.
Another time after watching a documentary, I asked him:
“What’s the answer to all this inner-city deprivation?”
“Well, ultimately pestilence, disease and famine will thin out the
population. That will make things easier.”
We take delight in taunting each other with relevant research
reported in the press. Last summer I accosted him with the findings that
optimists have longer lives. “What an excellent reason for not being an
optimist,” he said. In the autumn he read me evidence that defensive pessimists
– who make contingency plans to cover everything that might go wrong - suffer
less stress.
But although we both read the news, we read different stories. Every breakfast he gives a
ghoulish recital of headlines that Thomas Hardy could have based a novel on –
“Children die in house fire caused by advent candle,” “Couple die from gas
poisoning while wrapping Christmas presents.” Meanwhile I will alight on
“Kitten rescued after travelling under bonnet of car” and “Woman survives being
run over by tractor.”
For every proof there is a riposte. If he drops his toast on the
floor butter side up and I say he’s lucky, he will say that he must have
buttered it on the wrong side.
He can be sickened by my syrupy perceptions. Sometimes I want to
sock him in the jaw. When things are going badly and the troubles are mounting
up and I ask him “Do you think everything’s going to be all right ?” and he
says “No,” I wish he lie. Just occasionally. Just for me.
We each find comfort in our respective points of view. His pessimism
protects him from disappointment. If I felt like him I’d want to slit my
wrists. Shenagh Pugh’s poem Sometimes
speaks for me, and this time she can have the final word:
Sometimes things don’t go,
after all,
from bad to worse…………
The sun will sometimes melt
a field of sorrow
that seemed hard frozen:
may it happen for you.
Saturday, April 02, 2016
Facts of life
Lux (5) was explaining to Cecilia (3) how everything moves on and everything dies: "Even I will be dead and gone one day, Cecilia. And all the things that are past are in the memory box. Like my memories of when I was four. That was a happy time. And now I'm five, I have to understand more things and it's harder."
I'm 66 and I feel just the same. But I would like to be five again and get out of bed in the morning and walk downstairs for breakfast without being aware of my body in any way.
It needs focused, concentrated effort to ignore all the twinges that signal its deterioration, as well as cultivating positivity and hope in the face of the current state of the world. That's why having something that absorbs me completely - playing with the children, writing a sitcom, or trying to cycle to the top of Longstone Edge without getting off my bike - is such a blessing.
This isn't meant to be another whinging post, more a recognition of what's involved in being a cheerful older person. I told a friend recently that I was looking forward to being 70 because I'd feel able to sit by the fire and knit or read on a biting afternoon and not feel compelled to do anything more creative or energetic. But actually, I don't think that will be possible because of my mother's genes. I remember ringing her up one teatime when she was ninety and she said she felt awfully guilty because all she had done that afternoon was light the fire, read the paper, and do the codewords.
And now, for no reason at all, except that I adore it:
Wednesday, March 30, 2016
My life is a sitcom
One of the great things about being a writer is that you can call spending time on some of your favourite activities "work" or "research." So, if you're a novelist, it's reading novels, if you're a screenwriter, it's watching films, and if you're writing a sitcom, like me, it's watching sitcoms. Oh, life is tough for writers.
I've just written a post for you about all the sitcoms I've been watching. But it was a boring post so I've shelved it.
Some years ago I saw a documentary about Paul Simon, following his professional life from its beginnings, and ending with what was then the present day. The interviewer asked him what he was working on, and he said he wasn't. He said: "I'm in my life now." That turned out to be a phase, of course.
I'm finding that watching sitcoms and writing my own sitcoms is not conducive to blogging. My head is so bound up with my work and my "research" that there's not much left for discursive musings on life and trivia.
It's a phase, I'm sure. Today Dave is out and I'm working hard on my submission to the BBC Writers Room. They are welcoming comedy submissions until next Monday. Mine is almost ready. Wish me luck!
Sunday, March 27, 2016
Memory and desire
Happy Easter!
I've been sitting here in bed feeling melancholic. I love Easter - the lambs, the chocolate eggs, the daffodils, the bright spring skies - but unless we have visitors, I start missing people and times gone by. Yesterday I was missing my best friend Mary, because I was back from a trip and wanted to ring her up for a thorough debriefing, as per usual, but she wasn't here; and she never will be here.
This morning I've been missing my mother, because I often used to take my children up to Wensleydale to stay with her and Pa at Easter. At least that's how I remember it.
Once you start missing one person, you look around inside your heart and find other people who are inaccessible and you're filled with longing.
I can't imagine how I'll feel if Dave dies before me. I'll probably drown in a sea of loneliness.
I was thinking all this when I sat here with my morning mug of tea. I switched on the laptop and while it warmed up, I read a two page story in my new Garrison Keillor book - that I bought in Boulder -
and it made me laugh. I need comedy to get me through this life. Don't underestimate the power of a hearty belly laugh. Or even a wry smile.
Happy Easter!
Friday, March 25, 2016
missing persons
OK. I've had my three days R and R, my peace and quiet, my catching up on my writing, my lengthy chats with Dave. Now I want my small companions back. The ones who get into my bed for a chat at 7 in the morning, the ones who make me laugh, who practise their English accents - "pyjamas, bananas, tomatoes" - who want to hear funny stories about Dave, whose stuffies litter the house, who like to play hibernating bunnies on the bedroom floor and who like The Sun Has Got His Hat On played on the iPad to wake them up for spring, who want me to read the same book over and over, which is fine because it's usually a book I like (e.g. Ahlberg's Funnybones and Ahlberg's Tell Me A Story), who persuade me to go swimming with them and entice me down the long slide, when I detest going swimming in an indoor pool.
Lux and Cece, I miss you!
Wednesday, March 23, 2016
Picture postcards
I've told you, haven't I, how crazy the weather is in Boulder? In the morning you can be wrapped up against the snow and biting cold, and in the afternoon you're wearing a T shirt. They get a lot of snow, but it's not the right kind of snow for making snowmen, or even proper snowballs come to that. Except when it's melting. So on Sunday afternoon when it was warm and bright, Isaac and I made a snowman. The girls only became interested when it got to the pine cone feature stage: I think it was their first snowman.
And here is my last picture from Colorado: Lux and me on the Carousel of Happiness. It will be a sad day for the adults when the girls grow out of the trip up to the small town of Nederland in the foothills (8,000 feet up) where a tiny building houses this fabulous carousel with hand carved wooden animals ( and mermaids!) and with a Wurlitzer organ in the centre.
Sunday, March 20, 2016
Crafty
It was just as I feared. Even the brand 100% KLUTZ certified was not enough to protect me from what followed. The only thing the girls could actually do was wind the yarn to make the pom-poms. The rest was up to me.
This was the first attempt. It's a chihuahua. Like the one on the packet?
This was the second one we made.
Feeling flushed with success - actually no, that's not true. It was because I was determined not to leave a legacy of a deformed puppy behind me, that I did some plastic surgery on the chihuahua.
Rather better.
Phew.
This morning the girls got into bed with me before breakfast as they always do. We usually chat and have stories - either from books or from my head. Today they wanted funny stories about Dave, so I obliged. It reminded me so much of staying with my Gran and getting into bed with her, and listening to her stories of when she was little.
So it goes.
Saturday, March 19, 2016
Friday, March 18, 2016
My daughter in law
It takes two margaritas to get me drunk. I only get drunk twice a year and I am always with Wendy (my daughter-in-law) when it happens. Today there was four inches of snow. Wendy was busy and the kids were at school, and Wendy treated me to a pedicure. She paid for a uber taxi to take me to the salon and paid for the pedicure and picked me up afterwards and took me to lunch and got me drunk on margaritas. Everything seems possible when you are drunk on margaritas. For one thing, it's the only time I don't feel old.
After lunch we visited the wonderful Boulder Bookstore, half a block away. Cece held my hand very tight on the snowy pavement to stop me falling over. When we got there the kids and Wendy rushed off to the children's section and I stood mesmerised by the bestsellers at the front of the store and nearly bought three, at $25 (before tax) a pop. I wanted When Breath Becomes Air, My Name is Lucy Barton and Billy Collins' Aimless Love. I restrained myself. It was touch and go. Then I dallied with some silly, funny fridge magnets...things I would never think of buying if I were sober. Then I asked at the desk for a book I was looking for and the assistant asked if I would like her to find it for me. "Yes," I said. "Thank you. My daughter-in-law got me drunk on margaritas and I am fit for nothing."
You should all have a wonderful daughter-in-law like Wendy.
Sunday, March 13, 2016
Tuesday, March 08, 2016
Don't delay joy
Another way is to spend time with children.
Lux has kindly mapped out two weeks of pleasure for me.
I will try to post when I'm away.
Monday, March 07, 2016
Three things on my mind
I've been busy! There have been three things on my mind since last I posted: writing my sitcom, getting everything ready to take to Colorado, and refugees.
On Saturday I went to a meeting of local people in Bakewell to talk about practical ways of helping refugees and asylum seekers (though we have none in Bakewell.) It was heartening to be with other people I didn't know who care as much about refugees as I do.
This is a smattering of what I learned that might be useful to you:
- It's easy to volunteer on Lesbos, even if you only have a couple of weeks to give. There's a Facebook page with full details about how to go about it. Check it out if you're on Facebook. I'm not.
- Asylum seekers in this country are supported by the Home Office while their claims are dealt with. If their claim fails they have to move out of their accommodation, and they stop receiving their £5 a day subsistence, but they are not allowed to work. This means that while they are gathering more evidence to renew their claim, or to appeal, they are destitute. They need hospitality from groups - such as churches - or from individuals. We're planning something in Bakewell.
- There are some charities specialising in helping asylum seekers. A speaker from one in Sheffield told us that top of the list of asked-for items is lessons in English. Next is bicycles, because bus fares are so expensive. I'm going to give them my old bike. Could you help with either of these needs, in your nearest city?
- A lot of people have donated clothes, tents and sleeping bags to charities supporting refugees. One thing that many families need when they arrive in Greece is baby carriers. I never thought about this. Now I'm going to try to find as many as I can to send to Lesbos.
The headlines this morning are all about refugees: how to turn them back. You could write to your MP (I do, but he doesn't listen) and you can try to lobby the current government. Good luck with that.
The world is a dark dark place right now and we cannot rely on politicians to do the right thing. So much is obvious. I know it's a structural problem, but nevertheless, we can all do something to help.
It is better to light one small candle than to curse the darkness.
Lastly -
Here is a video worth watching - it's a TED talk by Professor Alexander Betts about our response to the current crisis.
On Saturday I went to a meeting of local people in Bakewell to talk about practical ways of helping refugees and asylum seekers (though we have none in Bakewell.) It was heartening to be with other people I didn't know who care as much about refugees as I do.
This is a smattering of what I learned that might be useful to you:
- It's easy to volunteer on Lesbos, even if you only have a couple of weeks to give. There's a Facebook page with full details about how to go about it. Check it out if you're on Facebook. I'm not.
- Asylum seekers in this country are supported by the Home Office while their claims are dealt with. If their claim fails they have to move out of their accommodation, and they stop receiving their £5 a day subsistence, but they are not allowed to work. This means that while they are gathering more evidence to renew their claim, or to appeal, they are destitute. They need hospitality from groups - such as churches - or from individuals. We're planning something in Bakewell.
- There are some charities specialising in helping asylum seekers. A speaker from one in Sheffield told us that top of the list of asked-for items is lessons in English. Next is bicycles, because bus fares are so expensive. I'm going to give them my old bike. Could you help with either of these needs, in your nearest city?
- A lot of people have donated clothes, tents and sleeping bags to charities supporting refugees. One thing that many families need when they arrive in Greece is baby carriers. I never thought about this. Now I'm going to try to find as many as I can to send to Lesbos.
The headlines this morning are all about refugees: how to turn them back. You could write to your MP (I do, but he doesn't listen) and you can try to lobby the current government. Good luck with that.
The world is a dark dark place right now and we cannot rely on politicians to do the right thing. So much is obvious. I know it's a structural problem, but nevertheless, we can all do something to help.
It is better to light one small candle than to curse the darkness.
Here is a video worth watching - it's a TED talk by Professor Alexander Betts about our response to the current crisis.
Wednesday, March 02, 2016
Spring 2016
Yesterday the first daffodil heads in our garden flopped horizontal, ready to open.
It rained in the morning. I'd been busy writing, then walking with Dave under a grey sky to Hassop Station for a coffee, then sewing dolls' patchwork quilts for Lux:
| Eat your heart out Audrey Hepburn |
and Cece:
because next week I am flying to Colorado to visit them.
Lux has put me on the calendar:
But in the afternoon there was a perfect March sky - bright sunshine and a mixture of grey and white clouds scudding across a brilliant blue. I was too tired for a bike ride, but desperate to get out under that sky, so I walked to the village to catch the afternoon post. And I needed no gloves!
This morning there is snow on the limestone edge behind our house. I am sitting cosily in bed as I write to you. But in Calais, refugees have had their "homes" demolished and many have nowhere to go. And on the Greek border in Idomeni, refugees - many of whom are children - are being teargassed. And in the US of A, Donald Trump is threatening yet more dystopia. This is spring, 2016.
You can donate to Medecins Sans Frontieres for their work with refugees here.
Sunday, February 28, 2016
Measures of success
In 2002, the year my father died, I found one of my now favourite books - Homestead by Rosina Lippi - in a local charity shop. It made me sad that I hadn't found it until after Pa had died because I knew he would have loved it as much as I did. Since then I've read it every couple of years, and a month ago I found the website of the author and dithered over whether to email her and tell her how much I liked the book. I didn't bother.
Yesterday someone tracked me down. They had kept one of my Times pieces since 2002, and decided to finally find out who I was, and tell me what the piece had meant to them. The piece was about losing my father. You can read what they said in the comments section of yesterday's post. I read the comment (which arrives as an email) in a hurry in the kitchen in the middle of cooking, and it moved me to tears.
When I look back on the time that I've been writing and think of what it is that pleases me most, it's
- my pieces in the broadsheets (most of which were in the Times);
- Plotting for Beginners (my first novel/baby) being on the tables in Waterstones;
- the email I got from a literary agent praising my writing in all kinds of ways, and saying how she adored Sol (one of my characters)but my novel was too quiet to sell;
- the success of said novel - But I Told You Last Year That I Loved You - after I'd had to publish it myself;
- the fact that my mother and siblings liked the private stuff I wrote for them after my father died, and then after my mother died;
- that my dearest friend Mary's family liked my eulogy for her;
- that one or two people re-read my books because they find them cheering;
- the friendships I've made through my blog;
- and the message I received about one of my pieces from just one unknown person yesterday.
Now I am going to email Rosina Lippi. But first, here's that piece about my father.
Voyage around my father
My 85 year old
father died this year. The private family burial was a beautiful occasion, the
day so special that the first thing I wanted to do when I got home was to write
to my father and describe it, tell him what had happened, how we had been and
behaved, what everyone had said. So I wrote him a letter and sent a copy to my
brothers and sisters and my mother. It makes us cry but captures the day on
paper. I don’t know why that is a comfort but it is.
But then my mother
asked me to write my father’s obituary for the local paper. This task hung over
me like a dreaded piece of homework. I did not want to be writing my father’s
obituary, because I did not want my father to be dead.
Once begun it was
soon completed, but not to my satisfaction. The paragraphs about his schooling,
his work, his successes and his triumphs described the public man. He sounded
like a thoroughly accomplished chap (as he was) but I hated that obituary. The
required formal style, and the sensitivity to my mother’s feelings, constrained
me. I could say that he was brought up a Quaker, but not that for the last ten
years of his life he would lie on the sofa every afternoon watching the racing
on telly. I could say that he was a keen hockey player but not that he had a
passion for Stilton cheese and Craster kippers and home grown raspberries. I
could say that he was a successful freelance writer, but make no mention of his
sometimes less than happy use of words - that his criticism could be scorching,
his rudeness outrageous, or that his acerbic tongue could reduce a sensitive
grandchild to a pulp.
Neither could I say
how fervently he loved his family, how sure they were of this, how much they
valued his wit, intelligence, knowledge and affection, and how much they will
miss him sitting smoking in the corner being crabby, and then at the end of the
evening asking for a goodbye cuddle. The last time I visited him at home I knew
he was ill because it was the first time he did not say “I had a shave
especially, so I could give you a kiss.” This could not go in the obituary
either: so much for obituaries.
I don’t think I ever
described him as “a wonderful father” but so what? He was my father and I loved him. All my life I have felt as though I
sailed in a sturdy ship, my family, looking down on other mortals whose ships
were not so handsome and fine as mine. When he died it was as though someone
had blown a hole in the side of our craft.
I am surprised that
at 52 I am so shaken by his death. I am not a child. I have a large and loving
family. And dying at 85 he was not robbed – he
had a good innings is the cliché. But
I am sad for me, not for him.
As children we would
roll our eyes when he told us, yet again, about his great-grandfather’s heifer
which won first prize in the London Show, and then “was roasted whole for the
poor of Chelsea.” Now he is gone I see all the dog-eared stories of his farming
forebears as weighty anchors to our family history.
Searching for
written records of them in his desk I found a photograph of his mother: it
could have been me in Edwardian dress. I used to hate being likened to someone
else, but this photograph has been a strange comfort. I now feel like a link in
a long chain stretching back into the past, and forward through my children
into the future. My father may be gone, but he is still a valid link. He may no
longer sit at the head of the table repeating his catch-phrase “As good a Stilton as I’ve tasted in years,” but at future family gatherings one of us can
say it for him. “Only if the cheese merits it,” says my brother. Ah, that
critical gene again.
© Sue
Hepworth/Times newspapers 2002
published here with kind permission of Times newspapers
Friday, February 26, 2016
In praise of...
"Twice a week I go to a beauty salon and have my hair blown dry. It’s cheaper by far than psychoanalysis, and much more uplifting.’ Nora Ephron
I went to the hairdresser yesterday. When I arrived, I was tired and slightly anxious about something. Nicky came over and sat down on the sofa next to me and looked me in the eyes and asked me how I was, and I don't know I responded, but she, being a sensitive woman who has been cutting my hair for 25 years, could tell anyway. Then she asked me what I wanted her to do to my hair, and got a minion to wash it before the cutting began.
I have been going to Nicky for all this time because she is such a good cutter, but also because she is sensitive, fun, and I can have a conversation with her that isn't about meaningless trivia.
At the end of the trim and the blow dry, when she'd shown me the back of my head in the hand-mirror, as they do, she put down the hand mirror, stood and looked at me in the big mirror with her hands on the back of my chair and said "Right."
And I found myself saying - without thinking - "I've got to get up, now, haven't I?"
I said this because it seemed like such a shame to be leaving the company of someone so amenable (as well as skilful) whom I only see for 45 minutes, every seven weeks. And also because I felt so much more cheerful than when I'd arrived.
"Yes, you've got to get up," she said, laughing. "You're done."
Oh, these wonderful people who are trusty landmarks in our daily lives. Dave and I have a local optician and a car mechanic, both of whom we like and rely on, and it fills us with mild panic that they are both on the brink of retirement.
When I was 15, I remember a friend's mother asking me what I wanted to do when I left school and I said "Something useful." She said "Every job is useful if it's done well." And I, in my idealistic world-changing mode, said with disdain: "What? Even a hairdresser?"
Oh, how little I knew back then.
How would I respond to my friend's mother now?
"What? Even an arms dealer?"
As I don't have a photo of Nicky, here is another of my personal heroines, the writer, Nora Ephron:
Thursday, February 25, 2016
a tiny question about trivia
I never touch photographs. Do you? Yes, I might pick up a framed photo of someone I love and look at it. But I don't touch the person pictured in it. I don't touch the image. It's not about marking the photo - because I don't do it if the photo is framed.
Do you? Does anyone? Tell me I am wrong and then I can stop feeling annoyed every time I see this on screen.
Tuesday, February 23, 2016
"Nature is creeping up"
I've just been on a bike ride on the Monsal Trail and although it was cold, it felt less like an act of self-discipline and endurance, and more like a wonderfully refreshing trip.
I heard birds singing, and there was a bright spring sky, and I felt as though I was cycling into a painting by Sisley.
It made me think of that anecdote about Whistler, when a woman told him that a landscape reminded her of one of his paintings, and he responded: "Yes, Madam. Nature is creeping up."
Monday, February 22, 2016
The old me
I've just been reading some of my old blog posts from 2008 and realised that I used to be much more lighthearted than I am today. I'm going to have to think about why that is.
exhibit A
exhibit B
But I'm not going to worry about whether there is too much self analysis on the blog these days because of something I read at an art exhibition the other day:
"Some pieces are very personal self-portraits where the artist explores their own identity. These works reveal something about the artist, but can also make us think about our own history, memories and experiences."
Blog as self-portrait. I like it.
exhibit A
exhibit B
But I'm not going to worry about whether there is too much self analysis on the blog these days because of something I read at an art exhibition the other day:
"Some pieces are very personal self-portraits where the artist explores their own identity. These works reveal something about the artist, but can also make us think about our own history, memories and experiences."
Blog as self-portrait. I like it.
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