Friday, September 30, 2011
A new obsession: a new ambition
Tuesday, September 27, 2011
Road trip
Monday, September 26, 2011
I love you, Margarita
Saturday, September 24, 2011
A shrine
Thursday, September 22, 2011
FOG CITY
Wednesday, September 21, 2011
Waking up in sunshine
Monday, September 19, 2011
Flying west
I am flying to California tomorrow to see my lovely family.
I may blog while I’m there.
I may not. There might be too many other more exciting things to do.
Dave will be holding the reins of my publishing empire while I’m away (and painting the kitchen, and making some new compost bins and playing his electric guitar at 6 a.m.)
Sunday, September 18, 2011
Carpe diem
Here’s a quote from my Quaker Faith and Practice:
“Are you able to contemplate your death and the death of those closest to you? Accepting the fact of death, we are freed to live more fully.”
And here are some quotes from Martial:
“Quisquam vivere cum sciat, moratur?”
Translation - If someone knows how to live, why would they delay?
“non est, crede mihi, sapientis dicere ‘vivam’:
sera nimis vita est crastina: vive hodie.”
Translation - Trust me: a wise man doesn’t say “Life starts tomorrow”. Living tomorrow is too late. Live today.
I went to a friend’s 60th birthday party the other night and caught up with a lot of people I haven’t seen for ages. It was fascinating to find out what they’re all doing, but even more interesting to see how they’re approaching retirement.
Some are embracing it and exploring their creative side, taking up activities they’ve hitherto not had the time for. Others have felt they’re on the brink of a scary chasm and have panicked and taken on armfuls of voluntary jobs. One person, a senior civil servant, had decided he wanted to see if he was able to earn some money in the big bad world.
It was a big shock to me when I turned 60, but now I’ve adjusted, I am carpe diem-ing as if there’s no tomorrow. I want to cram in everything I can before I’m too old or ill to enjoy the activities I love. There was a fab little trio at the party with a tenor sax playing the kind of music I love – The Nearness of You, How insensitive, Desafinado, you know the kind of thing, if not, then listen to this – and for the first time since I took up the sax (when I was 60), I thought it would be fun to play in a band. So this may be my next big aim. Watch this space.
What’s on my mind this morning, though, is that I’ll be seeing Lux in 2 days.(D.V.) Last time I saw her she looked like this:
Now she looks like this:
Saturday, September 17, 2011
I’m not the only writer who…
…hated a chick-lit book cover foisted on her by her publisher. Read this.
Tuesday, September 13, 2011
Excellent Service
One week today I will see this:
And more importantly, this little person:
and this person:
and this person:
Excitement does not cover it.
I have
- collected an extra suitcase from Zoe
- bought my dollars
- registered on the ESTA immigration website and paid 14$ for the privilege(what a cheek!)
- started putting clean washing in the spare room to pack later
- begun my to-do list of things to do before I go.
And, with an eye to my last post….
I shall NOT be
going in a pub on a Sunday evening in the Lake District with Dave and two friends and sitting down to eat and three of us ordering a meal from the menu and one of us asking for a cheese sandwich and being told that the chef does not make sandwiches in the evening.
I MAY be
walking into a smart restaurant (with a view of the Bay) on a Sunday at 2.15 p.m. and asking for lunch and being welcomed warmly and handed menus and one of us asking for a coffee while we order, and being told “Of course” and then when we are served and we thank the waiter, being told “You’re welcome” and NOT as happens over here being told ”No problem” as if it might be a problem serving a customer.
Hooray for American customer service! Hooray for California! Bring it on!
Sunday, September 11, 2011
The list
It was fun showing a couple of Yanks round my world. We only had two and a half days but packed a lot in. John was puzzled as to why it’s called the Peak District when he’d only seen a few low hills, so we ended up leaving the White Peak and heading for the Dark Peak and Mam Tor, and climbing to the top. I think he was convinced (or was he just being polite?)
Bakewell Pudding was not appreciated, on account of the almond essence (almondine.) That’s fine. I didn’t make it – I just thought they should sample it as a local delicacy.
The “cute villages” were a big hit, though, with ours being given a 5star rating by Friday afternoon (woo-hoo!) when the sun was warm and Karen walked down to the dairy with a basket full of empty milk bottles.
And she loved cycling up the Monsal Trail – we made it to the end. If you haven’t done it yet, add it to your own to-do list. You can hire a bike from Hassop Station, and you can buy a copy of a Bakewell Love Story at the bookshop there. It’s called BUT I TOLD YOU LAST YEAR THAT I LOVED YOU.
Lastly, the ubiquitous dry stone walls were a source of fascination…
OK, I admit it: this photo above is not of Derbyshire, it’s Wensleydale. But it’s limestone country, it’s the Pennines, and I’m going to take Karen and John there next time they come. The Yorkshire Dales are even lovelier than the Peak District (and Karen – the villages are cuter.)
Wednesday, September 07, 2011
This and that
People often ask me how much of my books are taken from my own life.
We-e-el-l-lll, one bit in the latest book is certainly true – I did meet a woman at a peace demo in San Francisco on the first day of one of my visits, and she did show me round the city and we did become friends. And TODAY she and her husband are coming to stay for a couple of days – Woo-hoo!
I have seen her home, but she has never been here and seen how beautiful the Peak District is, and we are both outdoorsy types, and I want to take her cycling on the Monsal Trail, and on our favourite walks round here, and rain is forecast forever and forever amen so please can you all keep your fingers crossed that we’ll have at least one dry day? I’m not even asking for sunshine (though that would be nice) - just one dry day.
The other news at Hepworth Towers is that we are now officially a no television household. Our area went digital and we have no way of watching the big old box in the corner and Dave doesn’t want to have a telly, anyway, so while I consider what I want, I have not renewed our licence. I am willing to give it a go and do without a telly for now.
The fact is that my head is so full of Karen and John coming, and then in less than two weeks my trip to the sunshine to see Isaac and Wendy and Lux in San Francisco, that tellies (is that how you spell the plural?) are the last thing on my mind. I told Karen this and she said “Oh but I wanted to watch Neighbours with you and see why you liked it” – so I told her she would have the full Hepworth Neighbours experience – huddled round my laptop with a glass of wine and a packet of crisps, because we have never been able to receive Channel 5 in our village anyway – digital switchover or no digital switchover.
I am going to get up and get weaving, but before that I might just watch Monday’s episode as I haven’t seen it yet.
Tuesday, September 06, 2011
Yet another lesson in self-publishing: the nitty gritty of the book cover
Only read the following if you like lots of detail…
This was an early idea for the cover of BUT I TOLD YOU LAST YEAR THAT I LOVED YOU:
But although I felt it represented the story, there was nothing about it that would make it stand out on a bookshop table. Also, there was not a hint of humour in it.
So I talked to my friend Ella, who is funny and creative and who had read the first three chapters of an early draft of the novel, and she suggested that the cover should show a greetings card with the title of the book on it. The greetings card would be home-made and possibly tatty. (This is what I remember – correct me if I am wrong, El.)This idea composted for a while in the heap at the back of my brain, while I looked at book cover designs on the net. One design I saw brought me back to Ella’s idea. I think her idea is brilliant, because it embodies the feeling inherent in the title – which is a declaration of love which is really, really anti-romantic. Who sends someone a card saying “But I told you last year that I loved you”? But I thought there would be more of a disjunct and therefore it would be more effective, if the card was attractive.
So this was the first rough mock-up:
Dave did the writing because I couldn’t fit it in. I was writing the words horizontally and it was hard to fit those words in a heart shape, so he suggested we use a template with curved lines and trace over it – which was a great idea:
This is my attempt:
Then we roped in our daughter, Zoe:
Zoe kindly said she would do the writing for us once I had decided on the heart I wanted. It wasn’t this one:
because those tiny red rosebuds are way too girly and a wee bit soppy, to boot.
or this one:
At this stage, Dave – a very patient person - was getting to the end of his tether because I was having ideas, and he was making them happen, but once he had made them, I realised I didn’t want them. So I turned to Zoe. She and her husband make cards for each other all the time, and she had made her husband a valentine card a couple of years ago, like this:
although (of course) her card said something loving and romantic inside the heart.
So then Zoe sat down with a sheaf of paper and the template and practised writing the title over and over until she and I were happy with it. Then she wrote inside the card that she or Dave made (I can’t remember who did it in the end!)
Then we had to decide if we wanted it sitting on a shelf like this:
so that the left hand side would be the back of the cover.
We dithered with this for a while. All right, I dithered with it. In the end I decided that having it sitting on a shelf made it seem too real, as if there was an actual card like this in the book, when actually, the card with the message on it is conceptual. (This reasoning makes sense to me.)
So then I posted the card to our son Isaac in California, along with a snippet of turquoise card to show the colour of the background I wanted. This was what he emailed to me:
and I swooned.
Then he put on the words I asked him to, and tweaked it until I said stop. I chose that ultra slim font for my name on the front so that it was the card and the title that hit you in the eye, not my name. If I were famous, then my name would be more important than the title. But I’m not.
Then I got all the technical details and specifications for the cover production from the printer and emailed them to Isaac and he said he didn’t have the software to do it, but he knew a man who did - his friend, Matt:
So Isaac and Matt sorted out the techie stuff together.
I emailed the cover to the printer and Isaac Fedexed me a hard copy over as well – because that’s what they asked for, to check for colour matching. When the first approval copy arrived, it was glossy! AARRGGHH! I had asked for matt. Nothing screams “self-published novel” louder than a glossy cover. (The paper wasn’t right either. But the paper is another story, and not a happy one, and I really don’t want to revisit my paper problems.)
So then the printer used what they call Matt Laminate, and I was happy. To be perfectly truthful, the turquoise is paler than I would have wanted, but blue is notoriously difficult to match, so I made myself happy with what I got.
And I AM very happy. The cover is striking, pretty, spare and clean, and does what I wanted it to do: it matches the contents, and it makes people pick up the book and check it out.
So thank you to Ella, Dave, Zoe, Isaac and Matt, for your help, patience and all round brilliance.
And special thanks to Dave for not murdering me. I can be an infuriating person to work for.
Saturday, September 03, 2011
Bedtime reading
I stick by everything I said about Sebastian Barry’s A Long, Long Way, and yet there are some nights when I go to bed and don’t feel up to reading paragraphs that begin with (brilliantly evocative) sentences like
“The approach trench was a reeking culvert with a foul carpet of crushed dead.”
Thursday, September 01, 2011
Reasons to be happy despite the end of summer
Yes, it’s September today, but I’m happy -
- the sun is shining and I’ve just had a bike ride up the beautiful Monsal Trail
- I got my monthly sales report from the wholesaler and I can send in a bill for books sold in August
- 3 weeks today I will be in San Francisco with Isaac, Wendy and Lux
- I am loving not doing any writing, and fettling the rampant garden instead
- I just bought a new vacuum cleaner. I hate cleaning, but I hate (even more) vacuuming and not seeing the difference – the Dyson can go to the tip!
Wednesday, August 31, 2011
PLJ and Booker nominees
Have you heard of PLJ? It’s a “cordial” you dilute to drink. PLJ is the brand: the product is pure lemon juice. It was advertised in the 60s (yes that’s how old I am) as a way to lose weight. You were supposed to drink PLJ all the time as a way of retraining your taste so you didn’t like sweet things, and so didn’t eat them, and so lost weight.
Well…for the last year I have been expanding my reading, and in doing so have lost my taste for light fiction (excepting when I’m ill). I’ve been reading some classics I have never read ( e.g. The Grapes of Wrath), and I’ve been reading more books by men than I have in the past. This week I got Sebastian Barry’s A Long, Long Way out of the library, and by the second page I was gripped – by the writing. Now I can’t believe I am reading descriptions of mustard gas attacks in WW1, or descriptions of violence on Dublin’s streets (the Easter 1916 uprising). Sebastian Barry does indeed “write like an angel” as it says in a plaudit on the back cover.
I have always found Booker winners hard to wrestle with. I gave up on Possession, I lost patience with The Finkler Question, I skimmed The Gathering and Last Orders. I have read several Booker nominees (Room, Digging for America, The Night Watch, Astonishing Splashes of Colour, On Beauty) but in listing them I realise they are all by women. A Long Long Way was also a Booker nominee but it’s the first one I’ve read that’s written by a man. And it’s the writing that hooked me. It is moving, painful and sad, and so many other things as well. I commend it to you.
(p.s. I delight in having odd titles for my posts. I once wrote a post called Buddhism and Dinosaurs thinking no-one would ever Google that – but they do sometimes and then arrive at my blog. If you Google it now you’ll find I am second on the list of links, under Wikipedia.)
Tuesday, August 30, 2011
Why is our government allowing the sale of arms to repressive regimes?
Read this shocking report about the huge increase in British arms sales to repressive regimes, including ones involved in the Arab Spring.
Sunday, August 28, 2011
Another lesson in self-publishing: the blurb
If you’re a regular reader of this blog, you’ll know how vital it was to me to get the cover exactly right on BUT I TOLD YOU LAST YEAR THAT I LOVED YOU (my third book, but the first one I’ve published myself.) I think a cover has to represent the contents of the book, to be attractive, and to seduce the kind of reader who will enjoy the story.
OK, so once that reader has picked up the book, what do they do next? They turn the book over and read the blurb on the back. So writing a winning blurb is the next stage on the way to the till. Just as most writers don’t get to choose their own covers, most writers don’t get a say in their blurbs. Self-publishers have no choice. What a responsibility.
As far as I can see, the blurb has to do the same thing as Chapter 1, but it has to do it in one paragraph, not twenty pages. It has to give a potential reader a clue about the theme and the tone of the book, and – for my books - the characters.
Writing the blurb for the back of BUT I TOLD YOU LAST YEAR THAT I LOVED YOU wasn’t too taxing. But I gave it a lot of thought before I began, and I had to make a difficult decision: should I tell the reader that Sol has Asperger’s syndrome, or should I leave them to realise it for themselves, just as Fran doesn’t realise until the end of the book? On the one hand, the subject of Asperger’s might attract some readers who are particularly interested in the subject. On the other hand, it could put some readers off.
And then there is the question of whether one should let out a key part of the plot in a trailer. Would it spoil the enjoyment of the book?
Some recent research at the University of California showed that advance information about a plot doesn’t spoil the reader’s enjoyment of the story. It actually enhances it. The researcher suggested that spoilers don’t spoil enjoyment, because plot is a relatively superficial aspect of storytelling…which is something I’ve always felt. I love theme, I love character, I love dialogue, and I care about the texture of the narrative, but plot is just something that I have to use to achieve narrative drive, to keep the reader turning the pages.
I have a friend who always reads the last page of a book first. She wants to know what happens, so that she doesn’t rush through the book to find out, and in doing so misses all the pleasure along the way.
Getting back to the subject of my blurb, I rather wanted people to LIKE Sol, and I thought they might not judge him so harshly for some of his apparently unsympathetic behaviour, if they knew the reason behind it. So I did dither before deciding not to reveal his ASD in the blurb.
But in any case, the book is about far more than Asperger’s syndrome. It’s about mature marriages per se, and what a couple does when they get to retirement and want different things. I got a lovely letter this week from a reader (it made my day) who thought the book tackled the unanswerable question - “Is it harder to cling on or to let go?” She is the first person to point this out and I’m delighted that she did – because it’s yet another theme of the book.
Friday, August 26, 2011
That missing feeling
Several months ago my family in San Francisco changed their telephone system. Since then they have always sounded 5,000 miles away when they ring (as indeed they are.) This week on the phone it was different. Isaac sounded as if he was in the next room. We had a nice chat (and Lux babbled something too) and when I put down the phone, an awful overwhelming feeling of missing them swept over me. It was so much worse than usual, and I’m sure it was because they had sounded so near - so near and yet so far.
Thursday, August 25, 2011
And while I was away…
Look what Dave made for me with the stained glass I chose two weeks ago…
Isn’t it beautiful?
When I’m away, he gets up to all kinds of evil things like making his glass pieces in the dining room instead of the shed, but just as long as it’s all cleared away by the time I get back i don’t complain. When I die he’s apparently going to turn the sitting room into an inside shed, where he will keep all his tools and his workbench. That’s up to him. I have plans of my own for when he dies…
Wednesday, August 24, 2011
When I said that…
…I did nothing at Jen’s, one day of doing nothing involved sitting in the sunshine in the stern of a yacht on the Solent, while Jen’s friends took us on a day trip to the Isle of Wight (and FYI my hair is like that because of the wind.)
Jen took the photographs.
Tuesday, August 23, 2011
Free money
I took another pile of books to a local bookshop yesterday and was paid immediately in cash (that’s what I like!) It’s so long ago since the delight of writing the book and then the hassle of printing, publishing and promoting it, that when I get paid for books these days, it feels like money for nothing. What a joy!
And another joy is that 4 weeks today (not that I’ve been counting) I am flying off to see Lux…
Monday, August 22, 2011
You can’t be a minimalist if you’re sentimental
I had a perfect holiday, doing nothing with my sister Jen.
The first day it rained and we spent the afternoon clearing out the top drawer of Ma’s sewing chest. It’s much easier to do that kind of job with someone else, especially if they are sentimental as well as practical. There are times when in order to be able to throw things away, you need permission from someone who is also emotionally engaged with the material. We only had one tiny temporary tiff, relating to a pair of damaged, rusty scissors in a scabbard made from the finger of a leather glove. I wanted to keep it as an example of Ma’s recycling (the finger of the glove) but Jen wanted to chuck it because the scissors were rubbish, and the scabbard was not made with care. “Come on – two staples! Not Ma’s best effort!”
She was right.
Meanwhile, I have at home a pewter ash tray made by Pa at school in the 1930s. No-one wants it, but no-one wants to chuck it out. Jen and I can remember Pa lying on the carpet in front of the fire, reading aloud his latest article for Farm and Country so Ma could make editorial comments. He would be smoking, and using this ash tray. I’ve had it in my kitchen for three years (since Ma died) and Jen has agreed to have it now. When she’s fed up with it, I’ll take it back.
Wednesday, August 17, 2011
Away
I’m too tired to blog, and I’m going to stay with my sister Jen for a rest.
I am also switching off comments, so I don’t have to worry about monitoring them when I’m not at my computer.
(I’m the one with the glasses and the nobbly knees.)
Sunday, August 14, 2011
A world away
One of my favourite things in the summer is to go outside in my pyjamas first thing in the morning and pick sweet peas. Today I brought them back to bed with my breakfast and caught up on yesterday’s papers. My back garden is a world away from cities and from riots, but that doesn’t mean I am not upset by this week’s news. It’s not just the riots, the looting, the murders, the arson, the loss of peoples’ homes and livelihoods, but also the posturing of politicians and the commentary in the media.
I’m particularly upset by the focus on policing rather than on the underlying reasons for what has happened. And I’m upset by the fact that when people try to understand the riots and why they happened and then list the multi-faceted strands such as alienation, poor parenting, the loss of hope amongst large sections of young people, and not forgetting simple criminality from gangs, the people trying to understand are accused of condoning the violence and looting. The causes of the riots are many and varied. Let’s not accept the empty statement of “sheer criminality.” Yes, the behaviour was criminal, but why did people want to behave in that way?
And what can we do to change our society to prevent it from happening again?
One charity working to help young people in difficult situations and young people without hope is Catch 22. Check it out.